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This is Islet

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This Is Islet: The making of a fan site

Posted: 05 Sep 2009 09:07 AM PDT

Islet
Islet live. Photo by @edhombre

I’m at Un-Convention in Swansea this weekend. Lots of talk with lots of interesting people about the independent and grassroots DIY music sector. It’s held in a cafe/bar called Monkey in the central city, and in the evening, bands play.

I’m here with a bunch of people I know from these sorts of things – and I’ve been spending a fair bit of time hanging with the very clever Ben Walker (@ihatemornings), who you know as the guy who wrote the Twitter song.

One band played last night that blew me away. And I don’t just mean I liked them, or really loved their gig. They BLEW. ME. AWAY. I can’t remember being this excited by a band in years. Possibly decades.

Ben was excited too. We came back downstairs, had a beer, and raved about how amazing they are. We were instant fans. So we went straight online and looked them up.

We Googled: “Islet band Cardiff” and various other combinations of the band name and their city of origin. Nothing. They’d played one support gig for Shonen Knife (how cool is that?!) – but no website, no MySpace, no nothing.

And we were stuck. They had no CDs for sale. Nothing we could do. We just didn’t know how to be Islet fans.

So we made them a fan site

What we did
In fact, what we did was very simple – and we’d encourage anybody else with an internet connection who has the same Road to Damascus experience with a band that we had to try something along these lines.

1) Posterous
We set up a Posterous account. It’s really simple – and it means that anything we want to put up on the blog, anything the band wants to put up on the blog, or anything that any other fan wants to put up on the blog can be done with a simple email.

2) Domain
We found a domain name (http://thisisislet.com) that we thought was good, and paid pretty much exactly what it would have cost to buy their CD, had they had one for sale. By following some very simple instructions on the domain provider’s site, and on the Posterous site, we made the URL point at the Posterous page.

3) YouTube
I had my Flip camera handy, and had shot some footage of the gig. We also collared the band on their way out the door, asked them to sit down on the stairs and introduce themselves. Upload the video to Youtube, email the link to Posterous – and Bob’s your uncle.

4) Flickr
Someone else at the gig had a flash looking camera, and he’d been taking some shots. We asked him to send us the photos, and he tweeted us a link to the Flickr set he’d made. So we used FlickrSlidr.com to make a nice, compatible version of the slideshow, and emailed that to Posterous. Job done.

5) Words
I wrote a quick review of the gig, and emailed it to the Posterous email account. Again – very simple, and there it is.

Really simple stuff. We made it, tweeted about it and got excited about it. Less than 24 hours later, close to 1000 people have visited, checked out the band and have, at least, now heard of the amazing band that is Islet.

The band were a bit bewildered, and possibly a little bit frightened by it all as it happened. They thought we were from the future. But we’re not. This is what can happen now, and it can happen easily.

So the big question is… are YOU amazing enough for your fans to be inspired to do something simple and thankful like that?

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UPDATE: We just made them a t-shirt on Spreadshirt. Buy it here – all profits go straight to the band! (and of course, you could do the same yourself – it’s really simple).

 

 

How to write a great biography

How to write a great biography by Garrett Wall

One of the first ways to get the interest of other people, especially record labels, booking agents, concert and tour promoters and music journalists, is to have an easily readable and enjoyable artist biography.

Here are some pointers in writing a great biography:

Always let your bio speak in the third person.

Don’t forget the important stuff: Where you’re from, what your album is called, what your first single is going to be, any awards or citations, and how to get in touch with you.

Give your bio a focus. Are you trying to sell an album? Do you want people to come to a show? Do you have a single playing on the radio? Are you simply trying to introduce yourself to the world? Giving your bio a sense of purpose will make it easier to write and make you even more interesting to your audience.

Check your spelling and grammar. Avoid slang!

Before you begin to write your bio, be sure you have "taken an inventory" of your background, accomplishments, goals, and objectives as a musician. 

Professionals in the music business are busy individuals, who may deal with dozens of "wanna-be's" every week, so make your bio informative, upbeat, and filled with useful comments, descriptions, quotes, and motivational language that will make them want to listen to your music.

Paragraph One: Start with an introductory sentence that clearly defines the essentials.

Paragraph Two: This section should address the immediate purpose of the Bio. What are you doing at this time? Mention a current activity such as a new CD or release or an upcoming tour.  

Parapraph Three & Four: At this point, information on any other band members can be introduced, and background information on the forming of the group, past experience, accomplishments, and recognition issues can be addressed
.

Ending Paragraph:
End the Bio in a efficient way. You can  use a quote from a third party review or summarize the 2nd paragraph information, reminding the reader of current activities.

 

Music industry advice

Check out a great resource for advice on the music industry: http://www.bob-baker.com/twitter/music-promotion.html
 

Applying for your first job in the music industry

Posted: 26 May 2009 10:42 PM PDT

This is a guest post by my friend Dave Haynes, UK Manager of Soundcloud. They’re on the lookout for great people to work with them, and it’s inspired him to write this really useful and quite inspiring post. If this whole lecturing, research and consulting thing doesn’t pan out for me, I might just apply.

We’re currently looking for interns at SoundCloud (for both our Berlin and London offices). Being an exciting new startup at the sweet spot between the music and web industry we’ve had plenty of interest. As an employer, sifting through a lot of applications and CV’s can be quite an arduous process. What really struck me was the wild variance in the standard of applications. Some stick out instantly whilst others don’t even make it past a 30 second skim read.

So I wanted to share some thoughts on what companies like SoundCloud are ‘really’ looking for nowadays and hopefully provide some useful tips on how you can improve your chances if you’re one of the thousands of people looking to make their first steps into the digital music industry.

1) Understand what you’re applying for

It’s going to really help if you have fully researched the company, signed up for an account (if it’s a web service) or checked out their music (if it’s a label). Make sure you write a good cover note explaining where you saw the position advertised, why you’re excited about the company and explain succintly why you think you have the skills to do the job advertised.

It’s important to describe very clearly what value you can bring to that company. Do you have an extensive network of potential users or fans? Are you incredibly passionate about what the company does? Do you spend a lot of time online?

Make sure you do this directly in the body of your initial email, don’t just send a short message with a cover letter and CV attached. At the best it’s going to take me 30 seconds to click on the document and load each document before I get my first impression of you. At worst I’m not going to open your documents because I’m in a hurry and have moved on to the next application.

Oh and don’t be afraid to use a little flattery. When I’m trawling through a batch of applications it’s always nice to hear some positive feedback.

2) Personalise your application

It’s extremely important that you personalise the application. If your initial email looks like it is a template that you’ve sent to five other companies then you’re unlikely to be an outstanding candidate. And you might be surprised by the number of people who forget to fill in the personalised bits. If your cover letter still contains an [insert company name here] then I’m reaching for the delete button immediately (yes it has happened!).

It’s not just the cover letter that you should tailor however. Make sure you emphasise the most relevant skills and experience in your CV depending on the nature of the role that you are applying for. The skills that a live promoter is looking for will probably be completely different to those required by a digital music service like SoundCloud for example.

And I shouldn’t even need to mention it but check and double check your spelling. Most employers can’t stand bad spelling. It won’t necessarily lose you the gig but it’s lazy and shows a lack of attention to detail.

3) Get on LinkedIn

If your CV is not online in some form then you’re limiting your opportunities. A .doc file with some bold headers and bullet points is just not going to cut it any more. At SoundCloud we barely even use Word documents in our organisation, so don’t expect to get a job off the back of one. (Note: if you are attaching documents then at least make sure to call them something better than cv(1).doc)

There are many different ways to present your resume online, but by far the best way currently is to use LinkedIn. Make sure you’ve added as much information as possible, include a photo and have at least two recommendations. If you haven’t worked before then ask a tutor or someone else who can vouch for your reliability or eagerness to learn.

4) Establish your own online presence

The only thing that trumps LinkedIn is to have a personal URL eg. http://insertyournamehere.com which provides links to your LinkedIn and any other relevant online presences or life streams that will be relevant to prospective employees. If the .com has already been taken then think about getting the .me (or similar). Sites likeGodaddy and Easyspace make it very easy to search and buy your site. But if you don’t have the inclination then there are sites that you can use to achieve the same results, eg. Chi.mp or Google Profiles.

Don’t be shy, and remember, you can’t hide. I will be googling your name in any case so it’s better to direct me to the information that you want me to know about than let me stumble across some drunken photos on somebody else’s Myspace.

5) Start a blog

This is subtly different to the tip above. I don’t just want to find out who you are. I want to find out what you’re passionate about. It’s more important than ever to establish your own personal brand online. If you’re applying for a job with a live promoter then they’re probably going to want to see you blogging about your favourite bands, what gigs you’ve been to, your thoughts on last year’s festivals or your take on the price of tickets. If you’re applying for a job at SoundCloud, I want to see that you’re passionate about music, are using a SoundCloud dropbox, have embedded some music using our player and maybe you’re blogging about the future of the music industry or the latest mashups that you like. Of course, it could be anything, but you get the idea. It might take a couple hours out of each week, but this is an investment in your future, so go do it!

Again it is extremely easy nowadays to setup a blog (I would recommend using Wordpress), but if you’re looking for a slightly more lightweight alternative then why not start a tumblelog (eg. Tumblr, Posterous, Soup.io) where you can quickly and simply post interesting news, videos or music you’ve discovered.

6) Tell me what music you like

Okay, so this is pretty obvious right? Well you’d be surprised at how many candidates don’t mention what music they’re into. Of course you shouldn’t over-do it. If you’re only into death-metal, it’s quite likely that your employer isn’t. Or if you rave on about how much you DJ and go clubbing then I’m going to wonder how much work you’re likely to do on a Monday morning. However, if you are a DJ or in a band, then that’s awesome and you should tell me more about it, what your SoundCloud username is and where I can see all your flyers. I even had one candidate who sent in a video showreel they’d made of themselves. I was suitably impressed.

7) Location, Location, Location!

In the UK, a lot of music industry jobs are going to be based in London. Be prepared to travel if you’re not close. If it’s just an internship or a temporary position then this shouldn’t be too much of a hardship and the company should be willing to cover expenses. If nothing else, you’ll get good experience of city life and have an opportunity to see if you’re cut out for commuting or not.

But remember if you’re not able to travel then it might be worth applying in any case. You might not get the position but more and more companies (ourselves included) are open to having staff that telecommute or work remotely. Maybe you can offer to carry out some specific tasks online such as replying to forum topics or researching potential new customers. It might not be as rewarding as being in the office but at least you will learn a little bit about how the company operates and get some experience to put on your CV for the next job that you apply for.

Remember that your location might actually be an advantage. I have had two jobs previously myself where the rest of the company has been based in another country. I was able to grow their business in the UK and take meetings with important contacts and clients in London. If you’re able to speak a foreign language then you might be able to generate new business in local markets and translate documents or even whole websites.

Now go make it happen!

Hopefully these seven tips will be of some help to you when you’re applying for your next job. But please, whatever you do, don’t just sit around waiting for the next job to come along. Perhaps the biggest piece of advice I can give is just to get out there, start hustling and make your own opportunities. Network, find your tribe and get in touch directly with companies that you’re passionate about. And if you can prove yourself before a position even becomes available then you might not even have to make that application in the first place!

 

Music Industry Advice

Watch all these videos.  Each is just a few minutes long!
 
Grab a beer or a glass of wine and spend tonight watching each of these videos.
 
They give some of the best advice I've ever seen.
 
I promise you, it will be the best time you could spend to help your music career!

Interview with founder of CD Baby
 
How to perfect your songwriting / write a hit song:
http://www.youtube.com/watch?v=XeMZmyM9CoI
 
Need a booking agent?  Or manager?  Watch this!
http://www.youtube.com/watch?v=_5mmCmoe3Cg
 
How do you sell your CD?
http://www.youtube.com/watch?v=gQSZzjYILzE
 
I want an artist like this:
http://www.youtube.com/watch?v=_m6PXXnL3oM
 
How to follow up:
http://www.youtube.com/watch?v=VMbrMIibA_4
 
How to "get to the next level" or book a gig at a bigger venue:
http://www.youtube.com/watch?v=7jPTPV00m8Y
 
How to pitch your band:
http://www.youtube.com/watch?v=FDgalqBesB8
 
How to use niche marketing to get press for your CD:
http://www.youtube.com/watch?v=fZtSWvfwrxE
 
How to use our creativity to promote your music:
http://www.youtube.com/watch?v=r-7K0HCT8rg
 
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